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Troy Wisehart..GERMANIC ESOTERIA.. An Interview with Troy Wisehart of Wodhanazson by ___ Emanating from the dark and misty forests of the Pacific Northwest Wodhanazson continues to evolve along musical runical lines, drawing with it both soul and sound. Based in the gray sound zone that exists between Seattle and Portland, Troy Wisehart is the man behind this ritualistic performance project.
I have had the good fortune—or rather, my wyrd is good enough—to see Wodhanazson on a number of occasions, and I have always been uplifted by the high mystical intensity coming through. _____________________________________________ Heathen Harvest: Wodhanazson is a spoken-word project, as well as a musical project. The Theory Of Everything Mkv. You are known as both a poet and a musician. Your poem “Baldr’s Temple” has appeared in “” and you have performed it most recently with Josh McBride of the Portland, Oregon neofolk band playing synthesizers and Ted DeBray of Olympia, Washington on wooden box drum. Undoubtedly, despite the fact that you have quite an underground following, there are lots of people who don’t know that such a project even exists—what with literature, spoken word performance, and music typically coming from distinctly separate worlds. What is Wodhanazson?
What does the name mean? What was it that inspired you to name your project this? Troy Wisehart: Wodhanazson is a ritual entity intended to carry on the oral tradition of the ancient Norse poets and myth makers. In addition to their entertainment value, the information conveyed in these stories through metaphor and allegory is eternally valid and useful on a very deep and primal level. Even a lifetime of study and contemplation can only scratch the surface of the mysteries hidden in the ancient lore of the Norse. “Wodan” is, of course, Odin, and his name means spirit. The “az” at the end of this form of his name indicates that he is the master of spirit, possession, inspiration, and the ecstatic state which must be attained to perform magic.
The “son” at the end of the name simply means “son of,” referring to myself as one who walks the Odian path. Of all the Norse gods, with the exception of Freya, who inspires me in different ways, it is Odin who inspires me most and who I aspire to emulate. Alberta Aboriginal Apprenticeship Program Fort Mcmurray. It seems only natural and logical that I should name my project after him. Troy Wisehart TW: Ritual is very important in helping me to maintain the connection with the spirits and energies that inspire me.
Reaktor 5 Factory Library on this page. My solitary rites coincide with the lunar cycle and my group ritual is with the. Daily meditation is also key in helping me to remain focused on the things I consider important.
It’s how I achieve and maintain my mindset. These rituals and meditations may contain elements of seidr, but I won’t say I’m a seidhu.
I’ve had a few experiences with seidr; perhaps if the need arises I might do it again. HH: You’ve said that you walk the worlds that lie between the branches and roots of the world tree, Yggdrasil. Is what you encounter in these other worlds reflected through the project that is Wodhanazson? How do you translate those numinous otherworld moments into something that we can listen to and follow in this one?
TW: My experience with these things is limited to several occasions very early on in my magical studies. Those encounters shaped my view of the reality of the Norse cosmology and changed me as a person. The things I discuss in the poetry and prose of Wodhanazson are very real to me. The fact that I see the myths in this way comes out in the performance of this material. HH: Do you appreciate being labeled “Germanic Esoterica”? How about Cascadian?